Bruce’s work emerges from a deep dialogue between human intention and the voice of natural materials. He approaches his practice as a collaboration rather than an act of creation—partnering with wood, earth, and texture in an ancient, ongoing conversation.

As a keen observer of bird-life, of wildlife tracks in the mud, and of the light filtering through the canopy, Suzanne’s creative practice is as much outdoors as it is in the studio.

Working in partnership with spirit helpers, she approaches her craft with deep respect for the land on Dartmoor in Devon and the spirits of the beings who are embodied in her work.

Exploring ways to reunite stone and metal, honouring the traditions that once bound them together.

The paintings you see before your senses, have been excavated from experience, the tumult of emotion, the known, the unknown, conundrums jettisoned from necessity to make sense of the past and future.

Connecting with the seen and unseen as I paint in nature, I understand it is the spirits that shape my texture, colour and composition.

As a self-taught artist, Jim’s mission extends beyond personal expression to breaking down barriers in the art world.

In these moments, she close her eyes in a receptive state of mind, opening her mind’s eye to receive incoming light forms or dream-like images.

Noble experiments with medium and mark making in an effort to describe the strong impressions that his research and experiences have made upon him, endless archaic forests, hallucinatory visions of starlit skies, pine studded knolls, recumbent stone circles, supernatural shamanism and views of the distant mountain, Bennachie.